Elevated Everyday Accessories The Row Bag Store

The Row Bags: A Complete Walkthrough to the Collection

Look at most high-end bag and it tells you its house long before you have taken in the silhouette. The Row does the opposite, and that single decision accounts for practically everything in how its leather goods are drawn up, priced and resold. The brand was set up in 2006 by Mary-Kate and Ashley Olsen and named after Savile Row in London, the street where tailoring learned to prize restraint. The company operates from New York City, with a Tribeca design studio since 2012, a Paris office from 2011 and a London office added in 2019. Its own boutiques stand in Los Angeles, New York, London, Paris and Amagansett, and everything else runs through the brand’s own webstore and a short list of stockists. Read this as a row bags overview, covering the families that matter, the specifications that divide them and what each one is priced at. Treat every figure below as a market price observed in 2026 rather than an official price list, because the brand publishes no such list.

Reading a The Row Bag With No Branding to Go On

Identification depends on silhouette, proportion and construction, because there is no exterior logo plaque and no monogram anywhere in the line. Look low on the side for a small, discreet exterior stamp that sinks into the leather rather than breaking its surface, and look for a second stamp inside. Fittings are palladium-plated with a matte or brushed finish, so the metal absorbs light rather than thrown across a room. Where most houses would print a logo jacquard, the line uses nappa, lambskin, calfskin or cotton herringbone, because linings are treated as materials in their own right. The same instinct that governs the label’s tailoring, where a garment is judged by its line rather than its label, is applied without dilution to the bags. The brand’s own product pages carry Made in Italy for the Half Moon, Soft Margaux 10 and 12, Margaux Shoulder 12, Bourse Clutch and Terrasse To-Go.

• No exterior plaque, monogram or branded hardware of any kind
• Fittings are palladium-plated and matte or brushed, never high-polish gold tone
• Nappa, lambskin, calfskin or cotton herringbone linings
• A single small stamp low https://rowhandbags.com/ on the outer side, with a crisp stamp inside

The Margaux Family, and Why It Is So Hard to Shop

Ask anyone to picture a The Row bag and the Margaux is what appears, yet it is currently the most confusing corner of the collection to shop. The Soft Margaux 10 has been observed at $3,650, constructed in 100 percent calfskin with a matte grained finish and a cotton herringbone lining, and measures 10 x 7 x 7.5 inches on a 5-inch handle drop. An interior toggle does the fastening, belted side gussets run down each side, protective metal feet sit beneath and the shoulder strap is removable. Step up to the Soft Margaux 12 at $4,350 and the construction carries over, with 12 x 9 x 7.5 inches and a zip pocket on top. A different proposition is the Margaux Shoulder 12 at $4,900, which pairs a lambskin lining and elongated tubular handles with the signature adjustable buckles and narrowed gusseted side panels across 14.75 x 9 x 5 inches. A Margaux 17 exists in leather and canvas at Selfridges, and a Soft Margaux 15 circulates too, though no reliable retail price attaches to either. The original was pulled from third-party retailers during 2025, and the brand’s own site now shows the Soft and Shoulder versions instead; the discontinuation has been widely reported yet never officially confirmed by the brand.

Totes, Top Handles and Shoulder Bags

The Park family is the volume engine of the line and the most common first purchase. Pricing on the N/S Park Tote sits at Small $1,550 to $1,620, Medium $1,650 to $1,950 and Large $1,990 to $3,250, and the spread within each size coming from material and finish rather than capacity. The Park Tote covers Small and Medium at $1,450 to $1,620, the Park Tote Three sits between $1,750 and $2,400, and the XL Park Tote is $2,490. Prices for a The Row tote bag climb steeply at the top: Marlo 14 $5,300, the Alger Tote $4,900, the Marco Bag $6,900. In the top handles it is suede that bites hardest: $3,850 for India 10.00 in leather against $5,370 in suede, and Agnes 15 at $5,000, $5,800 and $4,300 in leather, suede and a canvas blend. Ida is $3,990, Elise and Agnes 12 both $4,400 and the Iowa Duffle $5,180, while Idaho holds the value end at $1,420. Starting at Lori at $1,350 and the 90’s Shoulder at $1,450, shoulder styles climb through Alix at $1,900 and Parker at $2,900 to Jean Shoulder at $3,900, covering just as much ground as the totes.

Small Bags, Clutches and the Opening Tier

The most affordable row handbags are not cut-down versions of the expensive ones, they are smaller problems solved with the same care. The 90’s Bag sits at $1,090 and has grown into the collection’s understated cult piece, whereas the Half Moon is observed at $1,390, with a leather variant listed at $1,690 at one stockist. Because sources conflict on the Half Moon’s dimensions, go by the official 8 x 13.5 x 2.5 inches and expect other listings to differ slightly. The Bourse Clutch, $1,590, makes the point about construction at the cheaper end: calfskin exterior, nappa lining, hinged frame closure, hidden adjustable shoulder strap, 10.2 x 6.5 x 2.3 inches, Made in Italy on the label. Below it sit the Double Travel Wallet at $590, the Cecily Mini Tote and Ray Pouch at $950 and the Squared Compact Clutch at $1,390. Above it are the Terrasse To-Go at $1,950, the Dalia Baguette at $2,700 and the Peggy Clutch at $2,900.

Price Bands Made Simple

A three-band split describes the collection closely enough for shopping purposes, and they hold across every category. The entry band runs roughly $590 to $1,500 and is where most buyers meet the brand. The middle band, roughly $1,550 to $3,500, holds the Park totes, most shoulder bags and the better clutches. The Margaux family, the India and Agnes top handles and the Marlo totes fill the top band, roughly $3,600 to $6,900. Suede consistently carries a premium over calfskin on the same silhouette, a rule that holds in every band. Simpler still is the second rule, namely that the number in a bag’s name is its width in inches.

Archive Models You Will Only See on Resale

A large part of the label’s reputation rests on bags no longer sold new, and knowing them changes how you read the secondary market. The Bindle is the best known, a suede shape with raw-cut trims, a knotted detail and an open top, reported to have retailed around $1,190, followed by the Bindle Three with its padded handle and removable inner pouch observed near $1,700. A structured calfskin flap bag with a metal lock closure and a two-compartment interior, the Sofia is observed on resale between roughly $2,200 and $5,668. Compact and structured, the Devon is a top handle in polished saddle leather with a top zip, a hidden shoulder strap and decorative stitching. At approximately 9 x 12.5 x 5.25 inches, the Camden joins grained or saddle leather, twin handles, a detachable strap, a magnetic closure and both patch and zip pockets. You will also come across the Ascot hobo, the Wander knot crossbody and the nylon Sling 15, none of which carry reliably documented retail figures.

Resale, Authentication and Care

The resale picture is stronger than most, and it should be read as observed market behaviour rather than investment advice. In the Rebag CLAIR 2025 report The Row recorded 97 percent brand-level value retention, crossing into the report’s unicorn tier of 85 percent and above for the first time and trailing only Telfar, Hermes and Goyard. Single styles did even better: the N/S Park Tote at 146 percent as the strongest performer, the Margaux Tote at 107 percent and the Half Moon shoulder at 106 percent. Canvas, nylon, sisal and seasonal-colour pieces regularly sell below retail, so the strength sits with black and neutral calfskin in the signature shapes rather than the line as a whole. Anyone hunting The Row for sale second hand needs to know that the brand operates no public authenticity coding, so judgement rests on stitching density, hand-painted edges, matte hardware and whether the bag holds its shape empty. Let the material decide, because no brand-issued care protocol exists: soft dry cloth on calfskin, dry cloth only on nappa and lambskin, a brush and nothing wet on suede, and spot-cleaning alone for raffia and canvas.